Interview with his son Gregory Davis
He used to play music all the time. When we were on 312 West 77th Street [NYC] he used to play music all the time, especially stuff that he was working on. He had reel-to-reel tapes. He used to play rehearsal music, stuff he and Gil [Evans] were working on.. He used to play music from that paradigm to learn what he was doing. When he was doing the Sketches of Spain work with Gil, he would play Spanish gypsy music; have it on all night. He would play Porgy and Bess, some parts over and over and over again. He listened to all facets of music if he saw something in it. If he saw a substance that he wanted out of it, he would listen to James Brown, Marvin Gaye, Prince, Bartok, you name it. Stravinsky. He would put it on, just to get something in his musical head that he wanted to do.
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Don't play what's there, play what's not there.
-- Miles Davis
"Do not fear mistakes. There are none."
-- Miles Davis
East St. LouisMusic
music publishers
Deadline Hollywood:
Director George Tillman Jr has been enlisted to to help develop and direct the biopic Miles Davis, about the revolutionary and iconic jazz musician. Producers Nick Davis Raynes and Ged Dickersin have partnered with Gregory Davis, the jazz master’s eldest son . . .
AGITATION BIG GREEN SERPENT BLUE IN GREEN BLUING BLUE HAZE BLUE IN GREEN CIRCLE COMPULSION DENIAL DIG DOWN FILLES DE KILIMANJARO FRAN-DANCE FRELON BRUN FUNKY PUNK GO-GO THEME HELEN BUTTE I DIDN'T I KNOW JOHN McLAUGHLIN LITTLE CHURCH MAIYSHA (SO LONG) MILES AHEAD MTUME MOJA (PT 1) MOJA (PT 2) NEFERTITI NO LINE OUT OF THE BLUE PEACEFUL PETITS MACHINS RUN THE VOODOO DOWN THE SERPENT'S TOOTH SHHH/PEACEFUL SEVEN STEPS TO HEAVEN SMOOCH (M. Davis & C. Mingus) SPANISH KEY SWING SPRING THEME THE THEME PT I THE THEME PT II THINKIN' OF ONE THING AND DOIN' ANOTHER UNI VIERD BLUES *subject to co-publishing agreements |
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